Kindle screensavers: Karl Blossfeldt

15 January 2011

Inspired by Parker Higgins’s set of Kindle screensavers, I’ve put together one of my own featuring the botanical photographs of Karl Blossfeldt. It has 17 images so far, most of which I scanned from the set of 10 double-sided Blossfeldt prints I won recently on eBay.


Download the full set (zip file, 1.6 MB)

Having a set of screensavers that suits your taste definitely makes the Kindle experience a fair bit better.  If you like these, let me know; I’ll add more whenever I find more suitable Blossfeldt images.  (I stuck to vertically-oriented prints with light backgrounds that could be burned to white, since mottled gray backgrounds  tend to look posterized on the Kindle.)

Posted in art, gadgets, Karl Blossfeldt, photography | 2 Comments »

Vignette for Android keeps getting better

11 November 2010

cross-processing, vignetting, color gradient, film grain, in a square instant frame

I’m not usually one to get effusive about software, but Vignette, my main camera app on my Android phone, is just awesome.  Every time my phone alerts me to app updates, I get excited at the possibility that there’s a new Vignette feature.  Since I reviewed it in September, Neil and Theresa have added some awesome new ones, really opening up the creative potential of the app.

The most powerful new features are the strip and grid modes, which create composites of four consecutive shots:

A strip of shots with the Holga effect

You can make photobooth-like strips, and you can even do four quarter-frame shots to simulate a Supersampler.  My favorite approach is to use that mode to make a panorama:

Four quarterframes make a lo-fi panorama.

Just the other day, a new update added a double-exposure mode.  I haven’t done much to explore the possibilities with it yet, but here’s my favorite one so far:

a double exposure: Brighton, and portraits of him on the wall

I’ve put up over 200 Vignette-made shots so far since late July, about 2 shots per day.

Posted in photography, pictures, Pittsburgh | 5 Comments »

review of Good Faith Collaboration

27 October 2010

Joseph Reagle‘s Good Faith Collaboration: The Culture of Wikipedia is a major step forward for understanding “the free encyclopedia that anyone can edit” and the community that has been building it for the past decade. Based on Reagle’s dissertation, the book takes a broadly humanistic approach to exploring what makes the Wikipedia community tick, combining elements of anthropology, sociology, history, and science & technology studies.

The book opens with an example of how Wikipedia works that turns the famous “Godwin’s law” on its head: unlike the typical Internet discussion where heated argument gives way to accusations of Nazism, Wikipedians are shown rationally and respectfully discussing actual neo-Nazis who have taken an unhealthy interest in Wikipedia. This theme of “laws” carries throughout the book, which treats the official and unofficial norms of Wikipedia while turning repeatedly to the humorous and often ironic “laws of Wikipedia” that contributors have compiled as they tried to come to an understanding of their own community.

Reagle’s first task is to put Wikipedia into historical context. It is only the most recent in a long line of attempts to create a universal encyclopedia. And what Reagle shows, much better than prior, more elementary pre-histories of Wikipedia, is just how much Wikipedia has in common–in terms of aspiration and ideology–with earlier efforts. The “encyclopedic impulse” has run strong in eccentrics dating back centuries. But the real forerunners of Wikipedia come from the late 19th and early 20th centuries: Paul Otlet’s “Universal Bibliographic Repertory” and H.G. Wells’ “World Brain”. Both projects aspired to revolutionize how knowledge was organized and transmitted, with implications far beyond mere education. Just as the Wikimedia Foundation’s mission statement implies–”Imagine a world in which every single human being can freely share in the sum of all knowledge…”–Otlet and Wells saw Utopian potential in their projects. Those efforts were based on new technologies–index cards and microfilm–and each new wave of information technology since then has inspired another attempt at a universal knowledge resource: Project Xanadu, Project Gutenburg, Interpedia, Distributed Encyclopedia, Nupedia, GNUpedia. Wikipedia, Reagle argues, is the inheritor of that tradition.

Next, Reagle sets out to capture the social norms that the Wikipedia community uses as the basis for its communication and collaboration practices. These will be very familiar to Wikipedians, but Reagle does a nice job of explaining the concepts of “neutral point of view” and the call to “assume good faith” when working with other editors, and how these two norms (and related ones) underlay Wikipedia’s collaborative culture. Of course, Reagle readily recognizes that these norms have limits, and one doesn’t have to go far into Wikipedia’s discussion pages to find examples where they break down. But understanding the aspirations of the community in terms of these norms is the first step to an overall picture of how and why Wikipedia works (and, at times, doesn’t work).

Reagle then turns to consider the “openness” of Wikipedia, which is an example of what he calls an “open content community”. Wikipedia’s effort to be the “encyclopedia that anyone can edit” means that inclusiveness creates a continual set of tensions–between productive and unproductive contributors, between autonomy and bureaucracy, between transparency and tendency of minorities to form protected enclaves.

Decisionmaking and leadership on Wikipedia are even bigger challenges than openness. In successive chapters, Reagle examines the concept of “consensus” as practiced by the Wikipedia community and the role that founders Jimmy Wales and Larry Sanger played in setting the early course of the project.

The ideal of consensus was inherited from earlier open technical communities like the Internet Engineering Task Force, whose credo declares “We reject: kings, presidents and voting. We believe in: rough consensus and running code.” But that ideal doesn’t map precisely onto Wikipedia, in part because the “running code” of Wikipedia content isn’t as easy to evaluate as a computer program. Reagle also draws in intriguing comparison between Wikipedia’s still-unsettled notions of consensus and the practices of a more mature consensus-based community: the Quakers. Wikipedia lacks some of the roles and traditions that support decision-making in Quaker groups, and one implication of Reagle’s discussion is that Wikipedians might be able to learn a lot about effective consensus-based governance from the Quakers.

The lasting imprint of Wikipedia’s founders, the “good cop” Wales and the “bad cop” Sanger, has been treated a number of times before. But Reagle’s is the clearest account yet of how the tension between their different ideas for how to structure a voluntary encyclopedia project played out. Especially in the early years of Wikipedia, Wales’ role was primarily focused on maintaining a healthy community and balancing the perspectives of community members, highlighting good ideas and attempting to build consensus rather than promoting his own specific ideas. Even from early on, though, Wales’ role as “benevolent dictator” (or “God-King”, in the negative formulation) was a source of tension. Reagle notes that this tension is a recurring feature in open content communities; even the half-joking titles given to Wales are part of a broader tradition that traces to early online communities.

From my perspective as a Wikipedian–already familiar with norms and much of the short history of Wikipedia–the most powerful part of the book is the discussion of “encyclopedic anxiety”. Reagle argues that reference works have long provoked reactions from broader society that say more about general social unease than the specific virtues and faults of the reference work at hand. Wikipedia is a synecdoche for the changes taking place in information technology and the media landscape, and has served as a reference point for a wide gamut of social critics exploring the faults and virtues of 21st century online culture. That is not to say criticism of Wikipedia is always, or even usually, off-base. But what critics latch onto, and what they don’t, involves the interplay of the reality of Wikipedia and its role as a simultaneous exemplar for many social currents and trends.

Good Faith Collaboration is an enjoyable read, erudite but well-written and straightforward. It will be required reading for anyone serious about understanding Wikipedia.

*disclaimer: I consider Joseph Reagle a friend, and he thanks me in the preface. I read and commented on early versions of parts of the book. At the time of writing this review (October 2010) I also work for the Wikimedia Foundation, the non-profit that runs Wikipedia. But neither of those factors would stop me from being harsh if I thought the book deserved it. The review represents my personal opinion.

Posted in books, internet culture, STS, techno-utopianism, Wikipedia | 3 Comments »

Where Good Ideas Come From

24 October 2010

I just finished Steven Johnson’s Where Good Ideas Come From: The Natural History of Innovation.  It’s great read; I went straight through in one sitting, en-route to San Francisco.

At the start, Johnson sketches out his ambitions for a “natural history of innovation” by looking at three different kinds of environments that have been extremely conducive to innovation: coral reefs and their enormous biodiversity; cities and the rich cultural and subcultural diversity they generate; and the Internet, the key generative platform that underlies so many of the most celebrated innovations of recent years.  Patterns of innovation are fractal, he says, with recurring features to be found for ecological and macroevolutionary innovation, microevolutionary innovation, the physiology of innovation (that is, the neuroscience of how ideas come about), habits and lifestyles that foster innovation, innovation-friendly work environments, and social and political structures that promote widespread innovation.  So Johnson takes a “long zoom” approach, using examples from every level of zoom–but primarily, the stories of particular scientific and technological developments–to identify seven patterns that are part of innovative environments.

Johnson also makes clear at the outset his overall conclusion, which will be familiar to anyone involved with the free culture movement: “we are often better served by connecting ideas than we are by protecting them.”

The seven chapters on Johnson’s seven innovation concepts are fun and interesting.  I won’t go into detail; I’ll just say that each of them—the adjacent possible, liquid networks, the slow hunch, serendipity, error (as a goad to try new things), exaptation, and platforms (upon which further innovation can be built)—is a useful tool for thinking about innovation.  Johnson doesn’t convince me that this is any sort of natural or complete set of concepts for understanding innovative environments, but I don’t think he really tries to (despite the definitive subtitle: The Natural History of Innovation).  Others attempting a similar analysis of innovation would no doubt frame it in terms of different concepts.  Nevertheless, Johnson’s chosen concepts are satisfying and he puts them to good use.

It’s the concluding chapter that leaves me frustrated.  Here, Johnson tries to generalize about innovative environments using a framework from Yochai Benkler’s The Wealth of Networks.  He plots four “quadrants” where innovation might take place: market-focused individual environments (the entrepreneur inventor working alone), market-focused network environments (the group of firms or individual entrepreneurs sharing ideas and collaborating), non-market individual environments (the amateur inventor, the cloistered academic), and non-market network environments (the academic community, amateur open-source projects).  He categorizes two hundred “good ideas” (with no defined criteria for how they were selected) according to these four quadrants, and concludes that markets (with their intellectual property regimes that produce artificial scarcity for ideas) are not the ideal drivers of innovation they are often characterized as.

I agree with the conclusion itself, but I don’t think Benkler’s framework is a particularly useful way to categorize innovation here.  As Johnson notes, ideas happen at the level of individuals (with an enormous role, of course, for their environments).  A market/non-market dichotomy obscures the more fundamental issue of the motivation of individual innovators.  Taking an historical view, the political economy of science and technology has shifted dramatically from the Renaissance (where Johnson begins his catalog of innovations) through the Enlightenment and the Industrial Era into the century of Big Science.  Simply plotting the major innovations coming from each quadrant doesn’t account for the changing number of people trying to innovate in different types of environments.  And even within a given environment (say, the patronage scene in 17th century Italy, an Eastman Kodak R&D lab in the mid-twentieth century, or an academic molecular biology lab in the 1990s), the mix of market and non-market motivations for a given researcher doesn’t sort out neatly according to private sector vs. public sector.

Conspicuously absent from the bibliography is Steven Shapin’s brilliant The Scientific Life: A Moral History of a Late Modern Vocation, which has shaped a lot of my thinking about environments for innovation and the relationship between markets and professional research.  I’d love to see a discussion between Shapin and Johnson; their ideas, in Johnson’s words, “want to connect, fuse, recombine.”

Posted in books, free culture, history of science, history of technology, technology and society | 3 Comments »

Review of Vignette, the best Android camera app

1 September 2010

I see all the cool 20-somethings running around the interweb these days, posting hipster photos taken on iPhones with the Hipstamatic app.  I got a new Android phone recently, a dinc.  The camera hardware is good, but the default camera app is pretty terrible.  Fortunately, there is one good Android app for artistic photography: Vignette, by neilandtheresa.

The list of effects is large and growing, and they are generally really well-implemented and tasteful.  The “normal” effect, which is intended to be film-like, usually produces better results than the default camera: good color balance (with no blue cast like the default often has), stronger contrast, subtle vignetting to emphasize the center of the frame, and nicer grain texture than the harsh pixel noise of the default.

"Normal" processing, 3:2 rounded frame

Vignette has a wide assortment of vintage photography effects: strong vignetting, light leaks, cross-processing, several varieties of toy camera effects, faded old photo effects, sepia, platinotype, bleach bypass, overexposure and underexposure (which work nicely in combination to create dramatic contrast) on and on.  These kinds of things are often done badly, but Neil and Theresa have done an excellent job with almost every effect.  The set of retro color effects is especially good; I’m partial to the “retro cyan” effect, which I use as the baseline for a lot of my favorite effect combinations.  (You can save your favorite setting combinations.)

"Retro cyan" effect; grain, vignetting, overexposure, underexposure; instant square frames

One of the best things about Vignette is that you can change the effects around however you like after you take a picture.  You can save a copy with one effect, then change things around or go back to the unaltered photo and save another copy.  If you exit the app without saving (even if you kill it), your latest picture will still be there waiting for you when you open it up again.  You can also import picture to process with it.

Sometimes it takes a while to find just the right options for a good shot.

Vignette has improved quite a bit since I bought it, with some new effects and technical options.  The developers also respond personally to feature requests and suggestions, and have been quick to fix new bugs.  There’s a “Fake HDR” setting that is listed as in development; it doesn’t seem to do anything yet, but I’m looking forward to the Vignette take on HDR.

There a few other things I’d like to see added:

  • More frame options that have some character, like some dirty and scratchy instant camera borders
  • Randomized effects for scratches and blotches on the photos
  • A variety of cross-processing effects with variable intensity.  (The main cross-processing effect is pretty heavy-handed for my taste.)
  • Composites
  • Fish eye
  • Photochrom effect
  • A better gallery, with the ability to scroll/flick from photo to photo
  • Better EXIF data

There are a few other camera apps in this vein, but none are worth using.  The free version of Vignette, which is limited to .3 MP images, is the second-best camera app I’ve found next to the full version.  I’ve tested the high-rated competitors, Camera ZOOM FX (which I promptly uninstalled for a refund) and the free version of Camera 360.  Each of them has a few interesting features that Vignette lacks (e.g., sound-activated shutter), but the quality of the effects just doesn’t hold a candle to Vignette; most of the effects are just cheesy and unattractive.  Vignette also has a better interface, although it takes a while to figure out how to access all the different settings.

Check out what I’ve done with it so far on Flickr.

Posted in photography, things that are awesome | 6 Comments »

a good day for free culture in the mail

20 August 2010

I got a trio of nice packages in the mail today, from Automattic, the Wikimedia Foundation, and the Electronic Frontier Foundation.

Matt Mullenweg sent me a lovely “code is poetry” WordPress t-shirt, along with some nice stickers, pencils, and a certificate that I’m one of the “Three Most Important People in WordPress“.  Thanks, Matt!  GPL FTW!!

I got a letter and a physical barnstar thanking me for contributing to the Wikimedia Strategic Planning process last year.

And I got my membership package from the Electronic Frontier Foundation, with a t-shirt and a sticker.

Posted in free culture, Wikimedia | 3 Comments »

Plagiarism and authorship

2 August 2010

From a New York Times article, “Plagiarism Lines Blur for Students in Digital Age“:

…these cases — typical ones, according to writing tutors and officials responsible for discipline at the three schools who described the plagiarism — suggest that many students simply do not grasp that using words they did not write is a serious misdeed.

It is a disconnect that is growing in the Internet age as concepts of intellectual property, copyright and originality are under assault in the unbridled exchange of online information, say educators who study plagiarism.

Digital technology makes copying and pasting easy, of course. But that is the least of it. The Internet may also be redefining how students — who came of age with music file-sharing, Wikipedia and Web-linking — understand the concept of authorship and the singularity of any text or image.

Remixing, building on the work of others, collaborating (often anonymously), challenging the very premise of intellectual property… these are all happening.  And yes, the web makes plagiarism easier than ever to conduct (and to discover).  But is student plagiarism really coupled with changing conceptions of authorship?

I haven’t seen much evidence of that.  In the NYT article, I see instead people using plagiarism to attack values and ideas they don’t like.  For example, anthropologist Susan D. Blum, author of My Word!: Plagiarism and College Culture:

She contends that undergraduates are less interested in cultivating a unique and authentic identity — as their 1960s counterparts were — than in trying on many different personas, which the Web enables with social networking.

“If you are not so worried about presenting yourself as absolutely unique, then it’s O.K. if you say other people’s words, it’s O.K. if you say things you don’t believe, it’s O.K. if you write papers you couldn’t care less about because they accomplish the task, which is turning something in and getting a grade,” Ms. Blum said, voicing student attitudes. “And it’s O.K. if you put words out there without getting any credit.”

So plagiarism is a way to cast changing concepts of authorship and originality (and the politics of free culture that go with that) as moral failings.

Posted in academic politics, copyright, culture, free culture, internet culture | 2 Comments »

Wikimania 2010

13 July 2010

Free Knowledge in the City of Freedom. Staying out until dawn was not uncommon.

I am writing wrote this on the plane back from my first Wikimania. Wow! An amazing experience!

First off, I couldn’t have written my ROFLCon blog post if I had been to Wikimania already. What is true of the social dynamic of Wikipedia meetups for (mainly) the English Wikipedia community–that we tend to be on the introverted side, and it takes a while for people to open up–doesn’t translate to the international scope and scale of Wikimania. Wikimedians there were warm and friendly from the get-go. Maybe it takes a critical mass of sociality before introverts start to open up, rather than merely time. So bigger is better.

Organizationally, things were modestly chaotic. For the most part this was fine. The one real fail was that many attendees were unexpectedly kicked out of their dorms early, and I heard that a group of them ended up spending one night in a public park.

It’s really a shame that Wikimania hasn’t been held in North America since Wikimania 2005 in Boston. That was before the real upswing of Wikipedia’s popularity, and the majority of active American and Canadian Wikimedians have never had a chance since they joined to attend a nearby Wikimania.

Filmakers Scott Glosserman and Nic Hill with Jimmy Wales

One of the highlights of the conference was the premiere of Truth in Numbers?, a documentary about Wikipedia that’s been about 5 years in the making. It’ll be released publicly later this year. Reactions from Wikipedians were mixed and complicated, although during the screening itself it felt like a very positive reaction. The film gives a lot of focus to some shallow or misleading lines of criticism, and on an intellectual level, it comes off as largely anti-Wikipedia, contrasting the reasonable-sounding arguments of mature critics with the naive optimism of youthful Wikipedians. (For the most part, the critics’ arguments are easily answered, but the counter-arguments are a little more sophisticated than what can be explained well in a documentary aimed at an audience with little Wikipedia background.) Emotionally, though, I felt that Wikipedia–or rather, the Wikipedians–win in a landslide.

The Truth in Numbers? filmmakers also plan on releasing all the used and unused footage–full interviews with Wikipedians from around the world as well as important critics and supporters–so that others can re-edit and re-purpose it. There are many stories that could have been told in Truth in Numbers? I think the film is emotionally satisfying and it’s strong by the standards of the documentary genre.  Comparing it with other documentaries about weird communities, it’s far better than, say, Revolution OS, but not quite to the level Darkon or Spellbound.  I’m excited to see what else might come of it. A film intended to tell the history of Wikipedia would be quite different, and a film about the politics and values and philosophy of the Wikimedia movement would be different yet again. Hopefully the licensing of the extra footage will be free enough that the Wikimedia community can actually use it.

It was so great meeting many of the people I’ve known only online.  Really, Wikimedians are the awesome-est people in the world.  A whole year is too long until Wikimania 2011 in Haifa, Israel.  Hopefully I’ll be able to make it to Wiki-Conference New York in August to hold me over; last year’s was great, and this year’s should be even better.

Open Space discussion on Strategy

I took a few pictures, which seem to have been well received.  They’re all on Wikimedia Commons, too, along with 1000 others.  As a default, I didn’t add names for anyone but Wikimedia board and staff, since many Wikimedians may not like having named pics publicly available.  But let me know and I’ll add your name to your pic, if you like.

Posted in free culture, sociology, things that are awesome, Wikimedia, Wikipedia | 27 Comments »

New city, new job

13 July 2010

Whew! It’s a been a hectic few months since I blogged last!

Pittsburgh, our new home

Faith, Brighton and I bought a house and moved to greater Pittsburgh in late May (Glenshaw, to be precise). I have to call Faith “Dr. Honey”, instead of just honey; she has her M.D. now and is serving an anesthesiology residency at UPMC. Pittsburgh is awesome. The people are quite friendly (if rather more sexist and religiously conservative than New Englanders, on average). The “Pittsburgh Left” is both charming and dangerous. And I started a vegetable garden!

I’m not yet finished with my dissertation, but with the necessary move to Pittsburgh and the need to pull in at least some income, my options seemed limited. Academic positions were basically a non-starter. I was looking into jobs as a lab tech or a photographer or an in-home child-care provider, and there are actually some jobs in the Pittsburgh area (moreso than in much of the country). None looked too appealing. But the perfect opportunity opened up for me at perfect time.

I can has job?

In June I took a position with the Wikimedia Foundation: “online facilitator” for their 17 month “Public Policy Initiative“. In short, I’m part of a team focused on creating a Wikipedia Ambassadors program and developing good ways to get professors and their classes involved with improving Wikipedia content. (As a pilot, we’re starting with public policy professors in the U.S., but we hope to expand the scope of the programs we’re starting after the basics are in place.) I tell people I’m the head of the Pittsburgh Office of the Wikimedia Foundation. If you’re a Wikimedian in the Pittsburgh area, let’s get together some time; I’m going to try to start having regular Pittsburgh wiki and free culture meetups, which have never really happened before.

Finally, Wikimania. It deserves a post of its own

Posted in grad school, Pittsburgh, Wikimedia | 2 Comments »

Them and us: ROFLCon folks and Wikipedians

3 May 2010

geeks of a different flavor

This weekend, I went up to Cambridge for ROFLCon II (see my pics).  It was a wonderful, happy, fun, smart conference, and I was really struck by the sense of solidarity among participants, who all consider themselves part of “Internet culture”.

Being part of a culture means drawing lines between “us” and “them”, and whenever Wikipedia was discussed I got the distinct impression that for ROFLCon folks, Wikipedia clearly falls into the category of “them”.  I was one of very few Wikipedians there that I know of (Stuart Geiger was there; I found out that Tim Pierce, a panelist who played a big role in Usenet history, is a Wikipedian; and I saw Benjamin Mako Hill briefly).  That’s not to say that ROFLCon folks don’t like Wikipedia; respect–including respectful criticism–was the dominant tone.  But as one of the Know Your Meme folks lamented in the final panel, “Wikipedia doesn’t care about memes”–and, by extension, a lot of other significant aspects of Internet culture that are not being documented by mainstream sources.  In a lot of ways, especially through policy, Wikipedia explicitly distances itself from Internet culture.

It’s also striking how different the ROFLCon social atmosphere was compared to virtually every Wikipedian gathering I’ve been to.  We–Wikipedians–are, on the whole, geeks of a different flavor.  ROFLCon is a conference of extroverts; Wikipedians tend to be more introverted.  At Wiki Conference New York City last year, one outsider suggested after hanging out with us for a while that maybe one reason for the gender imbalance among Wikipedians is that males are more likely to be aspies–and by implication, that Wikipedians, or at least the ones who come together to share their passion for Wikipedia, don’t seem like neurotypicals.  In my own experience Wikipedian gatherings can be wonderful, they just usually take a while for everyone to get comfortable with each other and start to let their personalities out.  ROFLCon (which at least gave me the impression of being closer to gender-balanced, although I didn’t try to calculate) was a conference of fast friendliness–even for people with rivalries and bad blood between them.

Ben Huh hugs moot, after harsh words

Ben Huh hugs moot after harsh words

Posted in internet culture, memes, sociology, Wikipedia | 15 Comments »

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  • But when many anecdotes complement each other, and editors pull that out, you get something cool that no current review database can match. - January 28th, 2012 at 8:46 PM
  • As I imagine it, wiki-like curation would be an important element. Amazon reviews are useful not just for ave. stars, but anecdotes. - January 28th, 2012 at 8:42 PM
  • RT@evan Someday knowing the ins and outs of copyright will be like knowing the intricate rules of internal passports in Communist East ... - January 28th, 2012 at 8:10 PM
  • Federation makes a lot of sense... pre-existing communities centered on X (e.g., Android devices) just set up an instance and federate in. - January 28th, 2012 at 8:06 PM
  • Cool! My development skills are minimal, but I'm trying to pick up Django by building a rudimentary review site. - January 28th, 2012 at 8:04 PM
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